Tag Archives | Jason Aldean

Jason Aldean’s “Night Train” Is Certified PLATINUM Just 4 Weeks After Release

Aldean to Perform on Dick Clark’s New Years Rockin’ Eve with Ryan Seacrest 2013

Award winning entertainer Jason Aldean is wrapping up a record-breaking year with news of PLATINUM certification for his latest album Night Train, which earned the status officially just four weeks after its Oct. 16 release.  The album that Entertainment Weekly described as EPIC hit big out of the gate, debuting at No. one on the Billboard Top 200 and doubling the first week sales numbers of his previous album, the Double Platinum My Kinda Party.

Additionally, Aldean will join a lineup that includes Justin Bieber, Taylor Swift, Pitbull and Psy to ring in the New Year with a three song performance on Dick Clark’s New Years Rockin’ Eve with Ryan Seacrest 2013.  The legendary special airs Mon., Dec 31 beginning at 10:00pm ET on ABC.

Aldean’s second single off Night Train, “The Only Way I Know” feat. Luke Bryan and Eric Church, is currently climbing up the Top 15 on the Billboard chart.  The album’s lead single, “Take A Little Ride,” spent three weeks at No. one to become the longest running chart-topper of the year and Aldean’s sixth consecutive No. one single.

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The American Country Awards

American Country AwardsLast night was the third annual American Country Awards (ACAs), broadcast live on FOX from the Mandalay Bay Events Center. The two-hour special featured performances by co-hosts Trace Adkins and Kristin Chenoweth, Jake Owen, Kip Moore, Rascal Flatts, Jason Aldean, Lady Antebellum, Dierks Bentley, Luke Bryan, Little Big Town and a surprise performance by Lynyrd Skynyrd.

With nine awards, including Artist of the Year, Luke Bryan received the most awards, followed by Miranda Lambert, who received three awards. Following her two wins this year, Carrie Underwood has earned 11 ACA awards, the most ACA honors of any artist. Lady Antebellum’s wins in Artist of the Year: Group and Single of the Year: Group, plus their five previous awards, make them the group with the most ACA honors ever.

Fans logged on to www.theacas.com to cast votes in support of their favorite country music artists not only in traditional categories, but also in a previously unrecognized area – touring – encompassing the entire spectrum of country music. Continue Reading →

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Canaan Smith and Tyler Hubbard Song “Black Tears” To Appear On Jason Aldean’s New Album

Mercury Records singer/songwriter Canaan Smith and Tyler Hubbard of the band Florida Georgia Line have the honor of having their song on superstar recording artist Jason Aldean’s new album Night Train which will release on October 16.

“I wrote this song with Tyler one day back in college at Belmont,” Smith says. “I never thought it would be cut by someone as great as Jason Aldean.”

He adds “I think he did a killer job. I respect Jason’s ability to stretch himself and push the envelope as far as songs and production go.”

In an interview for Billboard magazine, Aldean says “Honestly, I think it’s one of the most well-written songs on the record. Like ‘Dirt Road Anthem’ and songs like that, it allows us to branch off in a different direction and try something new.”

Smith has also written hits and cuts for other artists such as Love and Theft, Amy Grant/Billy Ray Cyrus and Craig Morgan.

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Adele Cleans Up, Whitney is Remembered, and Numerous Performances Rock The GRAMMYs

Lady GaGa, Miranda Lambert, and Blake Shelton at the GRAMMYsIf you watched last night’s GRAMMY Awards, two things are clear: (in case you didn’t hear) Whitney Houston is no longer with us, and Adele cleaned house. And also, there were some (and by some, I mean 382) performances in there. Oh and this image to the left? Nothing but freaking hilarious.

If you happened to catch me on Twitter (@mattwilliams27) throughout the telecast, you’d know that much of the night was worthy of a good ribbing. Most notably was Chris Brown’s useless, God-awful performance, Taylor Swift ironically coming up flat on a note during the line in her performance of Mean: “…grumbling on about how I can’t sing,” a couple collaborations that sort of fell short, and a MIA Kanye West, despite his leading in the nominations.

On the other hand, certain elements will not soon be forgotten. I don’t typically comment on fashion, but if anyone saw Rihanna on the red carpet, they were probably picking their jaw up off the ground. And although I was sick of Whitney Houston references by the time LL Cool J took the stage, the simple, understated, and beautifully powerful tribute to her by Jennifer Hudson brought the house down.

Watch Jennifer Hudson’s Whitney Houston Tribute | “I Will Always Love You”

Rihanna looking fabulous on the GRAMMY red carpet

As did the highly anticipated return of Adele, who gave her first performance after undergoing vocal chord surgery. She absolutely nailed it, and received a well-deserved standing ovation. Oh yeah, and she went six-for-six on awards, including the big three: Song and Record of the Year for Rolling in the Deep, and album of the year for “21.” Bon Iver took home Best New Artist, which surprised many people, mainly because… no one knew who they (or he?) were.

The night also featured a fun, but touching tribute to Glen Campbell, featuring the Rhinestone Cowboy himself as well as The Band Perry and Blake Shelton. Jason Aldean and Kelly Clarkson performed their hit Don’t You Wanna Stay, and although Aldean’s mic cut out at the very end, they sounded fantastic.

The big story in the country realm last night was The Civil Wars, who took home Best Country Duo/Group Performance for Barton Hollow and Best Folk Album. They also performed a segment of Barton Hollow while introducing Taylor Swift. Taylor, by the way, took home two honors, including Best Country Solo Performance and Best Country Song for Mean. Lady Antebellum came up with a (in my opinion) highly-contested win for Best Country Album for “Own The Night” over Swift’s “Speak Now,” Aldean’s “My Kinda Party,” “Chief” by Eric Church (who I wanted to see take it), “Red River Blue” by Blake Shelton, and “Here For A Good Time” by George Strait.

So all-in-all… meh. Whitney will be missed, but the timing of her death overshadowed the entire show. Adele was well deserving of her awards and her standing ovations. And I think we proved that the most talented individuals don’t need dancers, pyrotechnics, auto tune, theatrics or lip-syncing (although Katy Perry’s performance was enjoyable, and an obvious “in your face” to Russell Brand). Real talent needs a microphone and a stage, and sometimes a guitar. And for that, Nashville, we thank you.

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Nashville to Make Big Impression at 54th Annual GRAMMY Awards

The 54th Annual GRAMMY AwardsMusic’s biggest night is upon us, and Focus on the 615 wants to keep you in the loop with your favorite GRAMMY hopefuls! Kanye West, Adele and Bruno Mars may be among the most nominated, but our hometown country stars make up a notable portion of the prestigious list as well.

First-time nominees Jason Aldean and Blake Shelton each landed three nods, as did past GRAMMY-winner Taylor Swift, each competing for Best Country Album. Newcomers Thompson Square have two nominations for their hit Are You Gonna Kiss Me Or Not, and The Civil Wars also have two for best Country Duo/Group Performance and Best Folk Album. Receiving a huge honor, The Band Perry continues their incredible year with a nomination for Best New Artist.

Other notable nominations include Kenny Chesney and Grace Potter’s collaboration on You And Tequila, garnishing two nods, and the Zac Brown Band finding their way into the Visual Media category with Where The River Goes from the Footloose soundtrack. Click here to see a complete list of the GRAMMY nominations.

Nashville is well-represented in performances as well, with Aldean, Carrie Underwood, Glen Campbell, The Band Perry, Shelton, The Civil Wars and Swift all gracing the GRAMMY stage. Jason will perform his smash Don’t You Wanna Stay with Kelly Clarkson, Carrie will team up with legendary crooner Tony Bennett, and Campbell, TBP, and Blake will all be taking the stage together.  Click here to see a complete list of the GRAMMY performances.

Who are your favorites to win? What performances are you most looking forward to? Let us know!

Focus will be tweeting live throughout the performance, so be sure to follow us at @FOCUSonthe615! You can also follow contributor Matt Williams at @mattwilliams27!

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Album Review: Looking For America by Mark Wills

Mark Wills - Looking For AmericaMark Wills’ newest, Looking For America is… predictable. Not predictable in a “Mark Wills” kind of way – because frankly, I haven’t heard all that much of his stuff before. No, predictable as in a “country music beating a dead horse” kind of way. Every topic of each of Wills’ songs has been done before, over, and over… and over. The album as a whole is by no means bad, just… we get it.

Yes, Mark Wills is talented. Yes, there’s certainly a market for it. But how bout a little originality? Maybe it’s because I have been listening to country music forever, or maybe I just didn’t have my morning cup of coffee; but I found myself getting close to the end of many of the tracks and simply hitting next.

Before I explain myself further, I would like to point out that there is one original song that is an anomaly to my critique: Phantom of the Opry. I like the idea for that song.

But here’s what I mean: The first song on the album is Rockin’ The Country.  It featured such nauseatingly obvious lines as “Hey y’all, yee haw / Little bit of hillbilly, little bit of outlaw” and instrumentation that could be found in any old Jason Aldean, Craig Morgan or Rodney Adkins song.

I wasn’t optimistic going in to the title track, Looking For America. And sure enough, not only was it cliché with respects to America songs, it was cliché with respects to songs about the good ol’ days… the old one-two punch to the horse recently murdered by Rockin’ The Country. But just to make sure the “American” horse was truly dead, the next song is about a soldier! Ok, I actually really like the lyrics to this one; it would be an admiral song on a record with more diversity. However, given the circumstances, it didn’t reach it’s greatest potential. Not to mention, it’s on the album twice, the second time as an acoustic version.

Then we get into a song about forgetting your problems. Another good song lyrically, but it’s about dancing “like there’s no yesterday,” (just a tad corny) and nothing caught my ear about it. Following that were songs about heartbreak, being in love, heartbreak again, The Phantom of the Opry, and then heartbreak again. Actually all of these songs were well written, so for those who enjoy lyrics, this is a good album.

On that note, as you may know, an artist who writes his own music automatically jumps up several notches on my critiquing scale. Well, it’s no doubt this album has great lyrics; it features some of Nashville’s best… but Mark Wills isn’t one of them. He co-wrote one song, and it was the one I lost interest in. However, there are songs penned by Chris Tompkins (Before He Cheats, Voices), the Warren Brothers (Red Solo Cup, Anyway), Brett James (Jesus Take The Wheel, When The Sun Goes Down) and Lee Brice.

I would never turn anyone away from listening to this album, but it will quickly get lost in the shuffle.

Looking For America track listing:

1. Rockin’ The Country

2. Looking For America

3. Crazy Being Home

4. Like There’s No Yesterday

5. Rather Be

6. The Whole World

7. Smokin’ Gun

8. Phantom Of The Opry

9. Where Did I Lose You

10. Crazy Being Home (Acoustic Version)

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