Archive | December 14, 2011

Outlaw Country: A Waylon Jennings Tribute at the SiriusXM Theater

Waylon Jennings

Photo credit: Laralyn Drew

It has been almost 10 years since Waylon Jennings left us, but his music is still as influential as ever. On Tuesday, December 6, SiriusXM presented a special taping honoring Waylon Jennings and promoting the new album Waylon: The Music Inside Vol. II’. The event at the SiriusXM Theater in the Bridgestone Arena featured several acts including Josh Thompson, Jamey Johnson, Waylon’s widow Jessi Colter, and son Shooter Jennings. Also in the house – and rowdy as ever – was Waylon’s old friend Hank Williams Jr. For the taping, each took turns playing Waylon favorites, sharing cherished memories of the late outlaw, and recapturing the magic of the tribute albums.

“At first, I didn’t want anyone to sing these songs but [Waylon],” said Colter about the tribute albums. “But these people love these songs… I couldn’t be prouder.”

The show had the element of a songwriter’s round, only with intermittent anecdotes about the country legend. For the softer, heart-felt numbers some artists on stage closed their eyes and sang along, embracing the powerful lyrics imparted by Jennings. On the faster, hell-raisin’ tunes, the entire studio audience began to clap and sing along, with Johnson frequently providing impromptu lead guitar licks.

Also present at the event were radio personality Carl P. Mayfield and legendary producer and songwriter Cowboy Jack Clement who both shared funny stories of Jennings. Mayfield recounted when Waylon stole his watch, wrapped it, and gave it back to him as a gift while on the air; and Clement reminisced about the time Waylon utilized dynamite to retaliate against a particularly difficult venue.

Josh Thompson and Jamey Johnson were two of the younger acts that had not known the music icon personally, yet have been strongly influenced by his music. Johnson references the man more than once, including in his song “Between Jennings and Jones”, while Thompson penned his own underground hit “Blame It On Waylon”.

Waylon Jennings

Photo credit: Laralyn Drew

“[This] was very inspiring and nerve-racking,” said Thompson about being included with the others on Vol. II. “They played with the man… I wanted to make some changes [to the song], and I wasn’t sure what they would think, but they really embraced it.”

One such artist who “played with the man” was Bocephus himself. A longtime friend of Jennings, Williams Jr. had nothing but funny and fond memories to share, frequently comparing Jennings to his own father, Hank Williams Sr.

“It was daddy and him,” said Williams when asked about where Jennings ranks among the all-time greats. “That man was the hoss right there.”

Between the country music veterans, the new wave of outlaws, and the simple admirers, it was an event filled with great music and fond memories. Certainly, it was an outpouring of love for the late Jennings, but it was also a tribute to the music that has changed lives and transcended generations. If Vol. II is as powerful as Vol. I, country music fans young and old are in for a superbly put together treat.

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Music City Unsigned: Family Christmas 2 Album Release Show and Christmas Party

Music City UnsignedMusic City Unsigned – the promotion team behind some of Nashville’s best emerging artists – released its second Christmas compilation album entitled Music City Unsigned Family Christmas 2 on Sunday, December 4, and they had a Christmas party to celebrate it! As part of Nashville Sunday Night, Lightning 100’s weekly live broadcast from 3rd and Lindsley, eight unsigned artists were on hand to bring in the holiday season with great live music.

The first half of the night had a writer’s round setup with Marie Hines, Robert Kelly, Emily DeLoach and Jeffrey James all on stage singing two or three acoustic songs each. Hines and Kelly each sang about Christmas memories where they come from with the songs Home and I’m Coming Home respectively. DeLoach gave a soft and sweet performance of If I Can’t Have You, and James serenaded the house with Ain’t No Christmas Blues. All of these songs are of course originals, and can be found on the album.

After a break (and the consumption of several free Christmas cookies), it was time for the full band portion of the show. Gracing the stage this half were Andrew Ripp, The Co, Humming House and The Vespers. Ripp sang his version of the classic Jingle Bells, while The Co slowed it down for a beautiful rendition of Silent Night. The band also performed Keep It Together, a huge crowd pleaser at BMI’s “Jingle Ball” last week.

Rising stars Humming House performed their original Winter Dress, which kicks off the Christmas album. They ended with their new single Cold Chicago, an upbeat, folky number the band has just released a video for. Check it out here! Closing out the night were two brothers and two sisters making up the quartet The Vespers. With a great acoustic bluegrass sound, the band performed “the only Christmas song we know:” Once In A Royal David’s City.

Although two acts – Carolina Story and Jessica Breanne & The Electric Hearts – could not attend the event, their versions of classic Christmas covers can also be found on the album: A more up-tempo acoustic version of Away In A Manger by Carolina Story, and O Holy Night by Jessica Breanne And The Electric Hearts. The album is on sale now at www.musiccityunsigned.com

Although seeing these artists live is a real treat, the CD is equally as enjoyable. If you are tired of the same old Christmas songs and the same old versions, this album is a great way to break free. Not only does it showcase amazing talent, but the proceeds also benefit singers and songwriters who represent Nashville’s best emerging artists. Music City Unsigned is a community of such artists. The organization exists because it has a passion for supporting, promoting and helping artists in any way possible. And so should you!

Music City Unsigned Family Christmas

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Album Review: Julie Ingram’s ‘Always Remember’

Well, when I first got this cd in the mail the first thing that struck me was the cd cover, but not in a good way.  It put me in mind of one of those ads that you see late at night for singles lines or something along those lines since Julie Ingrams pictured in a nightie across the cover.  The pictures inside the cd case or even on the back are much better and would have been a better choice, in my opinion.  I’m a very visual person and it just was the first thing that came to mind when I saw the cd, so I didn’t really even want to listen to it since the word that came to mind was “cheesy”.  But, I decided to be open-minded and look past the cover to see what’s inside.  I might really enjoy the music.  You can’t judge a book by its cover, but the cover should always be taken very seriously because it’s the first impression and often the deciding factor whether to purchase or not.

I did enjoy “Big Dog In Dallas”.  It was a fun, uptempo song.  It wasn’t great, though, but better than the others on the album.  It was the only song that I enjoyed on this cd.

I’m going to be honest and really not intentionally trying to be mean, but I just did not care for this album at all.  The vocals were moderate to weak, the production was fair to pretty good, the songs weren’t radio-friendly, catchy or emotional, and overall seemed very dated to me.   I just didn’t like it at all and can not recommend it.  I think the clincher for me was the bonus track, which was 6 seconds of a dog barking.  Not a great way to end an album…

Sorry, Julie, this is nothing personal, I just have to be completely honest for the sake of our readers.  I do wish you the best of luck with your career, but I’m just not a fan of this particular release.  Maybe someone who has a little more appreciation for traditional country would enjoy the album a little more than me, but I just wasn’t feeling it.

Rated 1 out of 5 stars.

 

 

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